Summer and Writing

Summer came this week: sunshine, temperatures in the low 20’sC, and neighbours emerging from winter hibernation. The daffodils are blooming.

It’s the month for me to canvass for Five Counties Children’s Centre, the facility for our area which helps children of varying abilities with physiotherapy, occupational therapy, speech therapy, and learning problems of all kinds. I started yesterday.

The official launch date for The Child on the Terrace-July- is fast approaching and I am doing a final read-through for typos, run-on sentences and so forth. A book trailer is next on my list.

I’ve been reading Syd Field’s Screenplay: The Fundamentals of Screenwriting, a book that is often recommended for its chapters from character to story-line. All useful for the novelist as well as the screenwriter. Thinking about Sequence, the linked actions that together form a section of the novel, with simple names like The Chase, or The Escape, helped me with developing a cohesive plot. This is my second time through the book, only one of many to come, I’m sure.

At some point, a novelist has to consider writing a synopsis which is a marketing tool. Jane Friedman wrote an interesting blog on the subject with a number of useful links added. Check out her number 1 pick,  How To Write a Book Now for a step-by-step guide to the synopsis. As well, Scrivener’s outline function can be very handy when it comes time to write it.

The Write Life is another site with unexpected resources, like this week’s 21 Places to find Blogging Jobs.

That’s about it for this Sunday in May.

21-Blogging-Jobs-for-TWL-square-300x300

Four allies in attacking the middle(of your novel)

A beautiful morning here in the Kawartha Lakes: sunny, warm, blue skies without a threat of rain, at least not yet. It is April, however, so I expect a downpour before tomorrow. In the meantime, I’m working on the middle.

No, I’m not talking about girth, but those vast pages from the end of Act 1 to the beginning of Act 111 in a novel. They should be vast, in number at least, but mine are not. I write short, too short and too fast. I need to get to the end, to see how it all comes out for my protagonist. Yes, I should have plotted it all out and I will next time, but this book is at 62,000 words, a little long for an outline and a little short for a novel and I’ve come to the end, resolved the crisis, packed everyone up, and sent them all home to bed.

The magic middle moment(see James Scott Bell happens at 36000 words, so I’m aiming for 72,000. Not long but a decent length for a paperback or an ebook.

I spent this morning plotting, searching websites for help, considering sub-plots, considering the sub-plots I all ready have and finally returning to Syd Field’s book Screenplay, The Foundations of Screenwriting, not because I’m writing for the movies but because his approach is excellent for writers of genre fiction. I also searched out Sol Stein’s On Writing, which I’ve read before at least twice for his section on triage for editing.

Barbara Kyle recommended Albert Zuckerman’s Writing the Blockbuster Novel and I’m in the midst of reading that as well. He presents a detailed analysis of ken Follett’s The Man from Saint Petersburg through all its drafts. Invaluable.

Too much reading and not enough writing? Perhaps, but I’m learning all the time. Revision has so many sections, so much detail to consider, that learning how others have done the job helps.

The Garden:

The miniature iris are blooming and the paeonia tenuifolia have sprung up. I pruned some roses yesterday and searched in vain for one of my clematis. Perhaps it’s just late.

Mark at Galetta Nurseries in the Ottawa Valley said this week that he hit frost a 4” when he tried to dig out some roses. The old saying is ‘plant when the ground is warm enough to sit on’. Good advice.

peony tenuifoliaPaeonia Tenuifolia, my garden.

Editors and Writers

Autocrit, an online editing service which I use because it is useful in many areas of revision, offered a deal before Christmas: for $99US, editorial comment on the first 20 pages of a manuscript by The Editorial Department. Renni Brown, who wrote Self Editing for Fiction Writers, is one of the founders of the company.

The editor assigned to me, Lindsay Guzzaro, is a well-respected editor and author. She identified what worked and what didn’t in the first 20 pages.

Now I have to decide whether I can use her comments to improve not just the first 20 pages, but the remainder of the manuscript. She did recommend I read Self-Editing for Fiction Writers, which I did some years ago and will do again, and Syd Field, The Fundamentals of Screenwriting, not because I am writing a script, but for his teaching about plot and dialogue.

I’m part way through Field’s book, and I must say he is an excellent teacher and I am finding the book relevant to my work.

When I finish reading, I’ll begin the task for 2015, which is a rewrite of the manuscript, bearing in mind advice from Lindsay Guzzaro,  teachers Ruth E. Walker and Gwynn Scheltema of Writescape, as well as teaching from Barbara Kyle at a recent retreat. Too much advice? Perhaps, but I see a way forward now.

Also reading Between Gods, by Alison Pick, an intimate biography of a woman’s search for her Jewish identity.

Finished reading The Best Laid Plans, by Terry Fallis, a hilarious political comedy. A recommended read for political junkies.